line - a 100 word novel

Another attempt at a 100 word novel. Actually these are a bit of a cheat, I had aimed to write a 50 word novel, but couldn't manage that degree of compression.

Line - a 100 word novel

Armin collected pegs. He started because he loved to follow his mother when she hung the washing out. At first he kept them in a Christmas biscuit tin, but later clipped to strings around his room.

At college Armin was attacked in a bar. The bottle left a scar from his chin to his left ear along the jawline. He held an exhibition of photos he took of the injury from shortly after it happened. He used the red pegs from his collection to fix the photos to wires.

Armin's partner Alice left him because she could not believe him.

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Comments

i don't wanna be pedantic (or maybe i do) but isn't a 100 word novel actually a short short story? sure, i suppose jumping into moments within a narrative that seems to stretch a quite large expanse of time makes it seem more novel like, but industry standards (that pesky industry!) kinda puts a novel at post-80,000 words. If anything, it seems like more of a character study.

Oh course, maybe i'm looking at things from far too much of a practical view point here, giving those labels too much respect :P
Matt Dalby said…
Well let's be clear, it isn't even a short story really. The concept is partly (for me) about the incongruity of compressing something that should be much longer into a ridiculously short space, but retaining a conventional prose style and pace, rather than making it poetry for instance.

There's an element of character sketch there, rather than study which would take a whole lot more space. I've also tried to slot in at least one motif that's repeated at least once, again in the way you'd expect from a conventional novel.

Really apart from length the major differences between these pieces and 'proper' novels are the almost total absence of story here, the limited internal insight, and restricted sense of time and place. Which, yeah, I guess does bring them close to short stories. But I still think they have more in common with novels, if only because they don't focus on a single theme or idea in the way you'd expect of short fiction.

Anyway, it's minimalism. It wouldn't be minimal if it was short story or novel length now would it?

So there you go, minimal and incongruous.

BTW You were only 6 words short of a 100 word critique. That woulda been fun.
troylloyd said…
i really must get to know oulipo better, i'm woefully underknowledged of their broad works.

constraint writing is interesting in that it forces the writer into a different pen, as it were -- this is always fruitful.

at least i need to get 'round & read Exercises in Style, the #1 big-hit from Raymond Queneau,
a short revue via MadInkBeard:

Queneau review


here's my 100 word conceptual poem:

one two three four five six seven eight nine ten eleven eh eh eh i can't go on, i must go on oh Beckett wrote that doorknock as transcribing Wake & JamJoy o'corsa kept it cause a knock is a knock & who was there?
Matt Dalby said…
To be fair I'm seriously under-read when it comes to Oulipo - probably because a friend showed me some stuff a few years back that I found a bit too cold and empty. Not being receptive at the time, and not having any texts to hand to explore what my problem was meant I kind of dismissed it. Until I came to it at my own pace in my own way late last year and early this year.

It would be interesting to place more constraints on myself. Both the 100 word novels so far use familiar tropes, and aren't that far from the kind of work I'd normally do.

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